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It is a widely held belief in certain circles that jointly caring for a canine companion post-separation is a recipe for trouble. The consensus suggests such setups impede individuals from moving forward, create logistical nightmares, lead to tension, and prove frustrating for everyone involved. As it turns out, as a development suited to a direct-to-platform film, it reportedly leads to the dogs themselves to feel down.

Not to downplay the mental health of our pets – pet parents observe their profound sensitivity. For a prime example in dog sorrow, one need only look recent cinema. There is little doubt that a dog like Merv, a scruffy terrier type played by a talented dog named Gus, would find it difficult coping with divided living arrangements. The idea of basing a feature-length romcom on such a setup holds water is rather doubtful.

Standard Holiday Fare

Fairness demands noting, Merv, crafted by Dane Clark and Linsey Stewart and directed by director Swale, doesn't pretend to be anything more than a light film. We have here a seasonal offering from a corporate studio – the depth are modest. The plot unfolds as straightforward: a separated couple Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their own sadness is matched by their dog's, decide on a uplifting getaway to a luxury pet hotel. At this location, predictably, they will presumably stumble toward the idea that they are better together. The supporting cast – played by familiar faces – fulfill roles eccentric, underutilized, or over-the-top. Its aesthetic is reminiscent of a platform's in-house production, with a holiday backdrop that is clearly manufactured – exemplified by flurries clinging to lush pines as a summer location substitutes for a wintery Boston.

Where the Film Shines

How these predictable parts coalesce into a pleasant experience hinges on the strength of the performances and one's taste for cinematic comfort food. Regarding the second aspect, Merv targets a specific viewer – the kind who seek out for dog videos. Audiences receive a series of canine-centric sequences. The main attraction is the canine star, and while this leads to some awkward editing between what the dog does and human reaction, the movie succeeds in showing walking sequences, dog depression, and, finally, doggie joy.

The Two-Legged Cast

The same praise cannot be applied for the romantic plot. The tone shifts uneasily between serious study, zany antics, predictable love story, and physical comedy, failing to master a single genre. This is not Charlie Cox, who is willing to embrace the humiliating and funny required by the unusual premise. Cox exhibits a charming humility that supplies a significant portion of the appeal for this seemingly ideal couple. Her co-star Deschanel, as is her trademark, brings a certain millennial quirkiness that will either resonate with viewers. Her Anna comes across as a little too aloof, particularly when paired with Cox's heartfelt sincerity. (For what it's worth, Merv himself is convincing at acting depressed – he may not be Messi from that acclaimed drama, he remains an excellent dog.)

The film attempts to add substance to the central romance for scenes without their pet – a bit of a pity, considering Merv is by far the best part of this cute-aiming movie. Unsurprisingly, it achieves only baseline competence. The catalyst for the split might seem more nuanced with less exposition and less blunt explanation. As it stands, Merv is slight and sweet, meeting every expected note. Crafting a story about dog co-parenting is not terrible – though it's not exactly a stroke of genius.

• Merv streams on Prime Video this December.